{"id":736,"date":"2023-12-13T10:56:01","date_gmt":"2023-12-13T10:56:01","guid":{"rendered":"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?page_id=736"},"modified":"2024-04-29T08:23:17","modified_gmt":"2024-04-29T07:23:17","slug":"contents-by-film-and-topic","status":"publish","type":"page","link":"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?page_id=736","title":{"rendered":"Contents (list of films and topics)"},"content":{"rendered":"<p><strong>Essays on this site: individual films (listed in film release order)<\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=790\" target=\"_self\" rel=\"noopener\">Powell before Pressburger: <em>The Phantom Light<\/em> (1935)<\/a><\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=783\" target=\"_self\" rel=\"noopener\">&#8220;The anguish of humiliation&#8221;: <em>The Divorce of Lady X<\/em> (1938)<\/a><\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=822\" target=\"_self\" rel=\"noopener\">\u201cWhen things buck up\u201d: <em>Love on the Dole<\/em> (1941)<\/a><\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=558\" target=\"_self\" rel=\"noopener\"><em>The Magnificent Ambersons<\/em> (1942)<\/a><\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=153\" target=\"_self\" rel=\"noopener\">Capsule: <em>Spellbound<\/em> (1945)<\/a><\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=159\" target=\"_self\" rel=\"noopener\">Capsule: <em>Notorious<\/em> (1946)<\/a><\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=585\" target=\"_self\" rel=\"noopener\">Limelight in Vienna: some notes on British cinema&#8217;s most charismatic villain [<em>The Third Man<\/em> (1949)]<\/a><\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=442\" target=\"_self\" rel=\"noopener\"><em>Ace in the Hole<\/em> (1951): a commentary<\/a><\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=781\" target=\"_self\" rel=\"noopener\">Orphans of war: <em>The Village<\/em> (1953) <\/a> <\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=78\" target=\"_self\" rel=\"noopener\">Grace Kelly in <em>Rear Window<\/em> (1954)<\/a><\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=767\" target=\"_self\" rel=\"noopener\">Strictly Danziger: <em>Tarnished Heroes<\/em> (1961) <\/a><\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=165\" target=\"_self\" rel=\"noopener\">Capsule: <em>Vertigo<\/em> (1958)<\/a><\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=399\" target=\"_self\" rel=\"noopener\"><em>Barry Lyndon<\/em> (1975)<\/a><\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=750\" target=\"_self\" rel=\"noopener\">\u201cI stood like one thunderstruck\u201d: some reflections on <em>Man Friday<\/em> (1975) <\/a><\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=706\" target=\"_self\" rel=\"noopener\">A dangerous liaison: Stephen Frears&#8217;s <em>Bloody Kids<\/em> (1980)<\/a><\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=689\" target=\"_self\" rel=\"noopener\">&#8220;Shoot straight, you bastards, don&#8217;t make a mess of it!&#8221;: an appreciation of Bruce Robinson&#8217;s <em>Breaker Morant<\/em> (1980)<\/a><\/li>\n<\/ul>\n<p><strong>Essays on this site: various film topics, authors, multiple films<\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=657\" target=\"_self\" rel=\"noopener\">Ambler and Greene: Journeys into Fear<\/a><\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=555\" target=\"_self\" rel=\"noopener\">The cinema of Orson Welles: An introduction<\/a><\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=171\" target=\"_self\" rel=\"noopener\">Daphne du Maurier and Alfred Hitchcock<\/a><\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=56\" target=\"_self\" rel=\"noopener\">Hitchcock vs Herrmann: the story behind the break-up of cinema\u2019s finest director\/composer partnership<\/a><\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=533\" target=\"_self\" rel=\"noopener\">Forgotten Man: Three films by Frank Nesbitt<\/a><\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=407\" target=\"_self\" rel=\"noopener\">Six British Films in Search of an Auteur<\/a><\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=793\" target=\"_self\" rel=\"noopener\">Tribute to Network<\/a><\/li>\n<\/ul>\n<p><strong>Essays: literature, the arts and literature&#8217;s relationship with film<\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=580\" target=\"_self\" rel=\"noopener\">Human character changed: the Post-Impressionist exhibition of 1910 and the revolution in the arts immediately preceding World War One<\/a><\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=234\" target=\"_self\" rel=\"noopener\">Chaplin and Dickens: some reflections on the influence of Charles Dickens on the cinematic artistry of Charlie Chaplin<\/a><\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=303\" target=\"_self\" rel=\"noopener\">Pasternak and Shostakovich: From Turmoil to Triumph<\/a><\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=335\" target=\"_self\" rel=\"noopener\">Power Without Glory: some reflections on the character of the Lieutenant in Graham Greene\u2019s <em>The Power and the Glory<\/em>, and on his relationship with the whisky priest<\/a><\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=315\" target=\"_self\" rel=\"noopener\">Aspects of Innocence and Experience: some reflections on literature and film analogy, with particular reference to Henry James and Billy Wilder<\/a><\/li>\n<\/ul>\n<p><strong>Book reviews<\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=416\" target=\"_self\" rel=\"noopener\"><em>Understanding Sound Tracks Through Film Theory<\/em><\/a><\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=390\" target=\"_self\" rel=\"noopener\">Making Time in <em>Barry Lyndon<\/em><\/a><\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=377\" target=\"_self\" rel=\"noopener\"><em>It&#8217;s the Pictures That Got Small<\/em><\/a><\/li>\n<li><a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?p=351\" target=\"_self\" rel=\"noopener\">Juggling Wolves: <em>BFI Film Classics<\/em>: <em>Marnie<\/em> <\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Essays on this site: individual films (listed in film release order) Powell before Pressburger: The Phantom Light (1935) &#8220;The anguish of humiliation&#8221;: The Divorce of Lady X (1938) \u201cWhen things buck up\u201d: Love on the Dole (1941) The Magnificent Ambersons &hellip; <a href=\"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/?page_id=736\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-736","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/736","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=736"}],"version-history":[{"count":19,"href":"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/736\/revisions"}],"predecessor-version":[{"id":835,"href":"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/index.php?rest_route=\/wp\/v2\/pages\/736\/revisions\/835"}],"wp:attachment":[{"href":"http:\/\/neilsinyard.britishtelevisiondrama.org.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=736"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}